Pitchfork Album Review
Love isn't watching someone die, contrary to what Ben Gibbard memorably sang on Death Cab for Cutie's major-label debut. No, love is watching someone grow and change and still staying with them-- whether we're talking about family, friends, romantic interests, or a little college-town indie rock band from about an hour-and-a-half outside Seattle. Death is just the dénouement. In the three years since their platinum-selling, Grammy-nominated Plans, Gibbard and Death Cab producer/guitarist Chris Walla have both entered their thirties, coming off a wave of successes that included 2003's Transatlanticism going gold and the debut by Gibbard side project the Postal Service becoming Sub Pop's best-selling disc since Nirvana. That's a whole lotta love.
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